Leap of Faith Orchestra & Sub-Units
At Third Life Studios
Probability Clouds
Excerpt From Liner Notes by PEK
“… It is interesting in improvisation when the drums are not present, changing the dominant rhythmic environment away from percussive impacts to different categories of interaction. At Evil Clown we also use percussion to create rich textures that are about color and not time-keeping. So, there is still plenty of percussion on the auxiliary instruments in the performance, just no one at the drum set.”
Probability Clouds:
Leap of Faith Orchestra & Sub-Units
Third Life Studios, Somerville MA – 23 March 2019
Disc 1:
1) Sub Unit 1 – Position and Momentum15:45
2) Sub Unit 2 – Atomic Orbital 15:21
3) Sub Unit 3 – Multivariate Distribution15:19
4) Sub Unit 4 – Absolutely Continuous15:23
Disc 2:
5) Orchestra – Probability Clouds 50:34
PEK (1-5) – clarinet & contralto clarinet, sopranino, alto, tenor & bass saxophones, contrabassoon, tarota, bass tromboon, melodica, bells, metal, sheng, Tibetan bowls, wood blocks, rattles, aquasonic, hand chimes, castanets, wind siren, stomping, wall, gongs
Glynis Lomon (2, 3, 5) – cello, aquasonic, voice, rattles, hand chimes, castanets, stomping
Bob Moores (1, 4, 5) – trumpet, wind siren, rattles, hand chimes, wood blocks, tibetan bowls, rachet, clown horn, bells, voice
Kat Dobbins (1, 4, 5) – trombone, rattles, bells, stomping, hand chimes
Eric Zinman (1, 3, 5) – piano
Duane Reed (2,3,5) – baritone horn, bass trombone, tibetan bowls, rachet, hand chimes, wood blocks, castanets
John Voigt (1, 3, 5) – bass, conga
Silvain Castellano (2, 4, 5) – bass, Tibetan bowls, wood blocks
Adrienne Schoenfeld (2, 4, 5) – bass, bells, Tibetan bowls, wood blocks, hand chimes
Devin Lomon (2, 5) – harmonica
Liner Notes by PEK
Five times a year, a smallish Leap of Faith Orchestra (10 to 15 players) heads over to Third Life Studios in Somerville for an evening of large ensemble improvisation. For the first half of the show, we do four short 15 minute improvisations or three 20 minute improvisations by different trio, quartet or quintet sub-groupings of the orchestra. Then we do a 50 minute improvisation with everyone.
These shows are open to the entire Evil Clown roster of about 50 musicians. So, although we have some steady regulars, the orchestra really is different every time. I assign the sub-units to take advantage of unusual groupings of instruments. I also bring a bunch of auxiliary instruments like wood blocks, hand chimes, bells, slide whistles, sirens, etc., which we distribute though the ensemble to enable players to completely change their sound.
For the longer improvisation with everyone, we have a rule that each player should lay out for roughly a third of the duration of the piece. Together with the broad palate provided by a large ensemble with everyone capable of instrument changes, this rule naturally creates a steady flow of transformations though different sonorities.
For this show none of the drummers from the roster was available. In larger ensembles it is rare for us not to have a drummer in the band and the current core trio includes Yuri Zbitnov on drums. However, Leap of Faith’s early incarnations in the early 90s were drummer-less. First the trio included Glynis, myself and trombonist Mark McGrain, and then Mark left to New Orleans and Craig Schildhauer joined us on bass. Sydney Smart did join in on drums for many of the sessions during that period.
It is interesting in improvisation when the drums are not present, changing the dominant rhythmic environment away from percussive impacts to different categories of interaction. At Evil Clown we also use percussion to create rich textures that are about color and not time-keeping. So, there is still plenty of percussion on the auxiliary instruments in the performance, just no one at the drum set.
Raffi Photos
