Evil Clown Shorties


Evil Clown Shorty Vol 7 (2025)


Excerpt From Liner Notes by PEK

“… This release, Evil Clown Shorties Volume 7 (2025), collects 14 of these short improvisations from 14 albums performed by 9 different ensembles comprised of 20 musicians plus Joel at the mix between 19 July 2025 to 15 December 2025.  Evil Clown Ensembles are highly modular, the Ensemble name does not indicate a band that always has the same players, but instead a general sonic concept and perhaps a core unit.  For Example, a performance is assigned to Leap of Faith if Glynis Lomon and I are both on it regardless of which guests from the Roster also participate.  In the 5-month period covered by these 14 pieces, 3 are Leap of Faith albums and none of the ensembles are exactly the same as other performances by ensembles with the same name…”

1) Chance Events and Their Likelihood (5:03) from Leap of Faith – Probabilistic Notions – 7/19/2025

2.   Future Trends (5:26) from Turbulence – Recipes for Prediction – 8/2/2025

3.   Alternative States (5:22) from Perturbations – Disruptions – 8/12/2025

4.   Density (5:09) from Expanse Percussion Edition – The Thickness of the Clonking – 8/19/2025

5.   Wave Interference (5:17) from Turbulence – Phenomena Inside Phenomena – 8/30/2025

6.   Preferable Tones (5:41) from Simulacrum – Modeling Personas – 9/16

7.   Skipping Bunny Surprise (5:27) from Neurodivergent Orchestra – The Evil Midnight Bomber What Bombs at Midnight – 9/20/2025

8.   Between the Constituent Parts (5:27) from Leap of Faith – Matter Self Organizes – 9/27/2025

9.   Undertow (5:14) from Turbulence – Currents – 9/29/2025

10.   I Stared into the Sun (6:19) from Metal Chaos Ensemble – Studying the Pattern – 11/10/2025

11.   Space-Time Cubes (5:36) from Leap of Faith – Spatial and Temporal Aspects – 11/20/2025

12.   Random Thermal Motion of Particles (5:32) from Turbulence Orchestra – Molecular Diffusion – 12/6/2025

13.   Q.E.D. (6:02) from Neurodivergent Orchestra – I Splode You So – 12/13/2025

14.   Ridges (5:23) from Turbulence – Troughs – 12/15/2025


Reeds: PEK (1-14), Michael Caglianone (3,6,9-11,14), Hilary Noble (4,12), Kelsey Gallagher (5,8,12,14), Cliff White (5,12-13)
Brass: John Fugarino (1-11,13-14), Bob Moores (1-2,12), Eric Dahlman (7,12-13), Duane Reed (12)
Strings/Guitar: Glynis Lomon (1,8,11), Jonathan LaMaster (6,11), DNA Girl (7,13), Tim Mungenast (7,13)
Keys/Synth/Electronics: Robin Amos (6), Count Robot (7,13), Cyrus Shauoul (10), Eric Woods (10)
Bass: Scott Samenfeld (1-2,4-5,8-10,12-13)
Drums/Percussion: Michael Knoblach (4-6,8,11-12,14), Jared Seabrook (1-2,5,7,13)
Engineering: Joel Simches (1-14)


Evil Clown Album Page

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Liner Notes by PEK

Here at Evil Clown, we specialize in long (concert length) works with very broad palettes.  As the musicians change between many instruments over the length of a work, the sonority undergoes development, transforming across many different small movements and creating the form of the work as an emergent property of the improvised interactions.  The pieces are approximately 1 hour and 10 minutes in length (tracked with a sports clock) which neatly fits on a CD and simplifies a lot of things required to produce music.  The music breathes and transforms organically.  I like this format, and the musicians in the Evil Clown Roster are all comfortable with it as well. My general name for this strategy for creating music is Broad Palette Improvisation.

While this approach works well for me from an artistic/aesthetic perspective, the music industry is not well set up for long works especially in a streaming context.  In early 2023, CD Baby, the company that I use to get our music to Download and Streaming vendors, changed their policy so that any disc with a single track (even at 70 minutes) can only be marketed in their system as a Single which sells for much less than a Full-Length release.  The Evil Clown Enterprise costs me a great deal of money to run and I need the small number of sales that I do make to be at a fair price, so this presented a significant problem to my methodology.  Joel is always recording as we warm up and soundcheck at each session, so when this happened in Spring 2023, I was able to find a useful short track (less than 10 minutes) for each album in the Spring 2023 releases so that those recordings could be marketed with two tracks as Full-Length Recordings.

Since then, in advance of each YouTube LIVESTREAM performance, which is how these improvisations are nearly always created, we have recorded a short piece (approximately 5 minutes) which still fits with the long work within the 80-minute maximum length of a CD.  I’ve been calling these pieces “Five Minute Shorties”, and they tend to be a bit different in character than the longer works from the same performances.  Technically, they are the end of the soundcheck, but we are so dialed in at ECH that the mix is good to go. 

This release, Evil Clown Shorties Volume 7 (2025), collects 14 of these short improvisations from 14 albums performed by 9 different ensembles comprised of 20 musicians plus Joel at the mix between 19 July 2025 to 15 December 2025.  Evil Clown Ensembles are highly modular, the Ensemble name does not indicate a band that always has the same players, but instead a general sonic concept and perhaps a core unit.  For Example, a performance is assigned to Leap of Faith if Glynis Lomon and I are both on it regardless of which guests from the Roster also participate.  In the 5-month period covered by these 14 pieces, 3 are Leap of Faith albums and none of the ensembles are exactly the same as other performances by ensembles with the same name.

As I write these notes, I compiled the tracks in an iTunes play list in the order of their performance dates last night and listened to it.  I really enjoyed listening to these very different pieces flow into each other.  In the future, I will continue this practice and release several albums of Shorties each year.  I have created a bandcamp page to offer these recordings since they contain all the various ensembles and don’t really belong on the page for each band.  They are a sort of sampler for the period of Evil Clown production that they cover, and I expect that some listeners will find they wish to hear the long work associated with the short track from this release.

I now drive some of my production cycles with the Shorty Schedule. For example, CD New Releases ship out to the few internet vendors that I send them to, and some of the website updates also follow this schedule. In 2025, for the first time, the end of the Shorty Cycle coincides with the end of the calendar year. We average between 3 and 3 ½ albums per month almost all of which are recorded at LIVESTREAM performances from Evil Clown Headquarters. Since the shorties are all generally a little over 5 minutes in length, 14 tracks fit on a disc, meaning that we complete roughly 2 ½ Shorty Cycles per annum. In 2025 we completed Volume 5 begun in 2024, Volume 6 completed in early July, and Volume 7 completed on December 15.

Anyway, I like this new compilation, and I bet you will too…

PEK out 12/17/2025


Paul Brennan Photos