Perturbations
That’s Where the Unknown Is…
Excerpt From Free Jazz Collective Review
“…Perturbations is another beast… Recorded in November 2023, That’s Where the Unknown Is begins with acoustic clangor and electronic “perturbations”, which blend into a quiet cacophony that mirrors an insect-ridden night in the woods. (One imagines the unknown could reside here, in the space between civilization and the wild, between the physical and metaphysical, as much as anywhere.)…”
By Nick Ostrum
Excerpt From Liner Notes by PEK
“… A quartet with 3 instrumentalists and Joel is the largest the ensemble should ever be for this band since there is enough sonic space for Joel to make a dramatic musical contribution. So, moving forward this band will be a quartet or smaller.…”
That’s Where the Unknown Is…:
Perturbations
Evil Clown Headquarters, Waltham MA – 14 November 2023
1) That’s where the Unknown is… – 1:08:56
2) Undiscovered – 5:31
3) Unexplored (bonus track)– 12:37
PEK – clarinet, contralto & contrabass clarinets, sopranino, alto, & tenor saxophones, piccolo oboe, alto flute, 5 hole wood flute, accordion, melodica, korg m20, syntrx, novation peak, moog subsequent, Linnstrument controllers, theremin with moogerfooger, [d]ronin, 17 string bass, array mbira, spring & chime rod boxes, gongs, plate gong, Englephone, danmo, brontosaurus & tank bells, cow bells, Tibetan bowls, orchestral chimes, chimes, crotales, glockenspiel, temple & wood blocks, log drums, orchestral castanets, seed pod rattle, balafon, xylophone, orchestral anvil, almglocken, trine, whistling
Michael Caglianone – soprano, alto & tenor saxophones, clarinet, flute, melodica, log drums, wood & temple blocks, brontosaurus bell, crotales, glockenspiel, gongs, Tibetan bowls & bells, novation peak, Moog subsequent, Linnstrument controllers
Albey onBass – electric upright bass, loops, gongs, balalfon, xylophone, wood blocks, novation peak, moog subsequent, Linnstrument controllers
Joel Simches – Live to 2-track recording, perturbations (echoplex, Lexicon MPX500 & vortex, Roland SDE3000, Sony DPS-07, Electrix warpfactory, Alesis wedge, Korg SDD-3000 delay, Digitech whamy, Boss loop station, Electro Harmonix pog, D-Seed II delay)
Full Video
Video Shorties
Review by Nick Ostrum – Free Jazz Collective
Blasting Across the Alkali Flats with Evil Clown
“…In quiet solitude or blasting across the alkali flats in a jet-powered, monkey-navigated…… and it goes on like this.” – Rev. Timothy Lovejoy, The Simpsons
In the above quote, Rev. Lovejoy was reading the wedding vows of one Homer J. Simpson. With just a little imagination and minus the “quiet solitude” part, however, he could very well have been describing the two releases reviewed here. Each is from one of PEK’s newer ensembles, which are based more around electronic environments than the acoustics of the sax-cello core of Leap of Faith, or the drum-propulsion of the Metal Chaos Ensemble. In that, however, they lose none of the sonic probing one has come to expect, and none of the tendency toward excess and entropy.
Simulacrum – Shadows (Evil Clown, 2023)
Simulacrum is something apart from other Leap of Faith projects. It is missing what seemed to be PEK’s preferred cores until recently: that between him and cellist Glynis Lomon and with a variety of percussionists. Instead, Simulacrum is a vortex of shifting soundworlds that ultimately blast across the alkali flats in a jet-powered…or rather fueled by the addition of Joel Simches on live processing and electronicists Eric Woods, Robin Amos and Bob Moores, who focuses more on his synths and drones than his usual frontage of trumpet and guitar.
Naturally, PEK, reedist + Michael Caglianone and, when focused on such tools, Moores literally add the gusts to the electrified sandstorm of crackles, shimmers and all out sonic strangeness. Shadows is heavy, and heavy on the Arkestra-infused space gaze. However, the missing dedicated percussion replaced by a variety of electro-acoustic techniques help this one float to different corners of the cosmos, clunkily walking the thin line between order and inevitable decay along the way.
And, as a bonus to the hour-plus first track Shadows comes Chiaroscuro, a six-minute excursion into a more linear, but still gnarled and knotty kosmische Musik.
Shadows is available as a download and CD from Bandcamp.
Perturbations – That’s Where the Unknown Is (Evil Clown, 2023)
Perturbations is another beast. It shares members PEK, Caglianone and Simches, here with a bigger footprint, with Simulacrum. Albey OnBass rounds out the quartet with his bass and box of percussion and electronics. Recorded in November 2023, That’s Where the Unknown Is begins with acoustic clangor and electronic “perturbations”, which blend into a quiet cacophony that mirrors an insect-ridden night in the woods. (One imagines the unknown could reside here, in the space between civilization and the wild, between the physical and metaphysical, as much as anywhere.)
An accordion and layered tones of unknown provenance break the spell, transporting the listener from a simulated forest to a port city, creaking docks, lonely saxophone and all. The picture, however, never truly becomes clear. Swooshes of interference intervene. A second, deeper horn engages with the first. A busy swarming background persists, and, in the whirl of elements, it can be difficult for the listener to find footing. Albey OnBass introduces a staggered bass line, and his subsequent duet with a lone sax pose the jazzier moments of this piece.
But these moments are fleeting, as was the forest and the dock. It seems like the moment the piece settles, it detours or rather leaps to different aesthetic realms. In that sense, That’s Where the Unknown Is is clunkier (though deftly and intentionally) than the ebb-and-flow characteristic of so many extended collective improvisations. This zigs and zags rather than builds and releases. And, well, it goes on like that, zigging, zagging and always finding new corners of the alkali flats to agitate.
hat’s Where The Unknown Is is available as a CD and download from Bandcamp.
Liner Notes by PEK
Every once in a while, a new Evil Clown Project emerges. Mostly, the new ensembles are based on a small core group and a basic aesthetic problem which we solve in performance. For example, Turbulence is the band with mostly horn players, but the ensemble makeup is different each performance.
Perturbations is the newest Evil Clown Ensemble. The core unit is PEK and Joel Simches… Joel is the Evil Clown house engineer who comes to nearly all the recording sessions at Evil Clown Headquarters. Some of the bands (for example, Metal Chaos Ensemble and Simulacrum) feature Joel’s real time signal processing in addition to his role as the recording engineer. Now that the Studio has been updated with new equipment (board and effects) Joel’s Perturbation options have increased and improved.
Early last year (2022), I suggested to Joel that we form this new group where the signal processing takes on the role of an instrumentalist, significantly more complex than the general color and delay we use in the other ensembles. For this band, Joel Perturbs the sounds created by me on horns, percussion, and electronics, creating a compound musical statement with the blended source sounds and the Perturbed sonority. Shortly after that, in February, we recorded the first session for this project as a duet, producing Agitation. As I expected, the result meets the requirement I have for a new Evil Clown project name which is to create a distinctive sound world from a particular section through Evil Clown’s broad palette…
Following the first duet set, the others have added one or two additional instrumentalists making the full ensemble a trio or a quartet counting Joel. The first quartet session, Deviations of a System (4/17/2023), featured Evil Clown regulars Albey onBass and Michael Caglianone, who have each appeared on many Albums by multiple Evil Clown Ensembles. Albey is an amazing bass player who played with Cecil Taylor’s trio and big band for over 10 years. Micheal is a great reed player who ran a recording studio in the Boston area for many years and recorded many notable local musicians. The current set, That’s Where the Unknown is…, returns to this same quartet for a second go.
A quartet with 3 instrumentalists and Joel is the largest the ensemble should ever be for this band since there is enough sonic space for Joel to make a dramatic musical contribution. So, moving forward this band will be a quartet or smaller.
I am interested in the difficult aesthetic problem of larger improvisation ensembles due to the possibilities of rich sonorities and dramatic transformation. In my long improvisation history, I have, however, performed with many small units, including solo. Small improvisation units are easier in some ways, since there are fewer musical elements at any point in time that need to converge on each overall sonority. The Perturbations recordings so far show that smaller ensemble improvisation with Joel’s Perturbations can provide broad palate improvisation every bit as deep and complex as what can be achieved by a bigger band.
With Joel at the controls of the signal processing, we essentially have real-time decision making as a performance unit, and we get the full-time attention of a master engineer on the electronic Perturbations of the instrumental expressions. I really like this combination of live playing and over-the top signal processing. Now having addressed this particular aesthetic problem 5 times, I can see that this will be an ongoing Evil Clown project with at least several LIVESTREAM’s per year.
I really like this performance and I bet you will too!! Check it out…
PEK, 11/15/2023
Paul Brennan Photos