Leap of Faith (2015 to Present)


The Observed Present


Review Excerpt by Bruce Lee Gallanter, Downtown Music Gallery

“…The trio concentrate on slow yet assured interaction, taking their time to improvise and expand. I like the overall sound here and that the trio are in no hurry to get anywhere…”

 – Bruce Lee Gallanter, DMG

Squidco Blurb

“The debut of this reconfigured Boston-area trio drawn from the Leap of Faith lineup, starting with the core duo of PEK on clarinets, saxophones, clarinets & flutes, and Glynis Lomon on cello, aquasonic & voice, with guest Eric Woods on synth and percussion, the trio using heavy percussion and electronics gear in a unique journey of extended freeform improvisation.”  

– Squidco Staff

Excerpt from Liner Notes Excerpt by PEK

“… For this set, we use the electronics and percussion without the rock elements of groove, electric bass and the drum set, suitable for Leap of Faith. I think this was a fantastic set and am already planning for more sets in the future from this very different new Leap of Faith trio configuration.  …”  

The Observed Present:

Leap of Faith

Evil Clown Headquarters, Waltham MA – 15 February 2020

1) The Observed Present – 1:10:32

PEK – clarinet & contrabass clarinet, tenor & bass saxophones, tarota, bass tromboon, Christmas flute, melodica, game calls, moog subsequent & prophet synths, Malletkat & Akai EWI midi controllers, [d]ronin, gongs, orchestral chimes, brontosaurus & tank bells, Tibetan bowls, bells, trine, Englephone, castanets, rattles, crotales, cymbells​

Glynis Lomon – cello, aquasonic, voice

Eric Woods – modular analog synthesis, Englephone, Tibetan bowls, balafon, log drum

Bandcamp | Squidco | YouTube | Soundcloud

Bruce Lee Gallanter Review, Downtown Music Gallery

Featuring PEK on clarinets, tenor & bass saxes, tarogato, melodica, Moog, Mallet Kat, EWI & tons of odd percussion; Glynis Lomon on cello, aquasonic & voice and Eric Woods modular synth, Tibetan bowls, balafon & Englephone. A few times a year the Evil Clown label releases around a half dozen offerings from Leap of Faith, PEK solo and assorted offshoot projects. A new batch just arrived at DMG on Monday of this week (8/31/20) and all but one was recorded at Evil Clown Headquarters where Mr. Peck resides. All five releases are either solos, duo or trios, probably due to the fact the pandemic has made live gigs and larger units nearly impossible to pull off. Hence, this version of Leap of Faith is a trio with two original members, PEK & Ms. Lomon plus a newer member, Eric Woods. When this disc begins we hear just Ms. Lomon’s distant voice, a bit of cello, some eerie synth and subtle cymbal work. Everything evolves slowly here, the musicians often playing one instrument at a time. The trio concentrate on slow yet assured interaction, taking their time to improvise and expand. I like the overall sound here and that the trio are in no hurry to get anywhere, but it does take quite a long while before things start to happen and the interaction gets more interesting. At 70 minutes, this disc is pretty long, the second half is much more interesting than the first half. Patience is required to get there so…

PEK Liner Notes

Leap of Faith is the core duet of the Leap of Faith Orchestra (LOFO) comprised of PEK on clarinets, saxophones, clarinets & flutes, and Glynis Lomon on cello, aquasonic & voice. The ensemble is based in Boston and dates back to the early 90s. We utilize a huge arsenal of additional Evil Clown instruments to improvise long works featuring transformations across highly varied sonorities. At times, the core unit has been a trio or even a quartet. The longest running core unit was comprised of PEK, Glynis and drummer Yuri Zbitnov, who played for the last couple of years of the archival period and the first 5 years of the reboot starting in 2015. The ensemble has always been highly modular and our many recordings (well over 100) feature the core unit in dozens of configurations with a huge list of guests and occasionally as only the core unit with no guests.

Eric Woods, our guest for this performance, is Evil Clown’s resident expert at analog synthesis… He has appeared on 9 Metal Chaos Ensemble albums and 5 Leap of Faith Orchestra albums. Two of his LOFO appearances have been on my graphic notation scores for the full orchestra and three have been with the LOFO & Sub-Units shows at Third Life Studios. This is his first set in a small ensemble format Leap of Faith performance.

You can go to Eric’s Evil Clown bio page for links to his performances with LOFO & MCE along with other cool content… (Eric Woods BIo).

Originally, this set was supposed to occur at Outpost 186, where Evil Clown has a 3rd Saturday residency dating back 4 or 5 years now. Although I have cancelled a few sets there over the years due to adverse winter or extreme summer heat conditions, this was the first time that the venue has needed to cancel… Rob is having some conflict with the city of Cambridge that he needs to resolve… Anyway, one advantage of having built out Evil Clown Headquarters to be a LIVESTREAMING YouTube venue, is that it is always available. That’s great for scheduling recordings / streaming performances, but occasionally really great for an instant venue change!!!

The instrumental resources available at Evil Clown Headquarters far exceed what I can transport to Outpost 186 or fit in their small space. So, the debut of this trio LOF lineup had access to the heavy percussion and electronics gear which is too much to move for a live performance in a small space. This is equipment that I always use for Metal Chaos Ensemble which typically contains more rock elements than Leap of Faith. For this set, we use the electronics and percussion without the rock elements of groove, electric bass and the drum set, suitable for Leap of Faith. I think this was a fantastic set and am already planning for more sets in the future from this very different new Leap of Faith trio configuration.

Subscribe to https://www.youtube.com/channel/UClfRlTeeHnSxRsJTkFakiJw/videos for notifications on future LIVE STREAMING events.

– PEK 2/16/20


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