Leap of Faith (2015 to Present)
Domains
Excerpt from Karl Ackermann Review (AllAboutJazz)
“The music remains challenging and intelligent but perhaps more accessible, and it is the best Leap of Faith album to date.”
– Karl Ackermann, AllAboutJazz.com
Excerpt from Bruce Lee Gallanter Review, Downtown Music Gallery
“… As is often the case with LoF, drummer Yuri Zbitnov is often at the center of the storm navigating the rapids through dense, fast and slow, sparse sections. Parts of this disc are quite restrained and even calm, something we don’t often associate with Leap of Faith, yet the balance feels just right. Damon Smith, one of the finest improvising bassists around, has worked with many greats.…”
Excerpt from Paul Acquaro Review (FreeJazzBlog)
“… Recorded live at Outpost 186 in Cambridge, MA in August 2017, Domains is a unique album. With the tilt towards the strings, the set is dominated by the low frequency instruments and features a different level of gravity. Absolutely captivating.…”
Domains:
Leap of Faith
Outpost 186, Cambridge MA: 13 July 2017
1) Domains – 1:10:23
PEK – tenor & bass saxophones, clarinet & contraalto clarinet, tarota, contrabassoon, tromboon, sheng, daxophone, hand chimes, wind & crank sirens, slide whistles, metal, rachet, electronics
Glynis Lomon – cello, aquasonic, voice
Damon Smith – bass
Silvain Castellano – bass
Yuri Zbitnov – drums, metal, hand chimes
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Karl Ackermann Review (AllAboutJazz)
In 2015, David Peck’s (PEK) Leap of Faith group reconvened after a lengthy hiatus to become a prolific producer of music that is always far outside the box. His Evil Clown label has flourished with a company of like-minded artists working in a collective environment. Leap of Faith has performed and recorded in formations ranging from trio through full orchestra, all challenging conventional beliefs and preconceived ideas about composing and performing. In their various manifestations, Leap of Faith have released more than seventy albums. With Domains the group continues to further the process of collective improvisation, or as PEK prefers to call it, “pure improvisation.”
Performing as a quintet on this release, reed player and composer PEK is joined by regulars, cellist Glynis Lomon and drummer Yuri Zbitnov. A frequent contributor of late, bassist Silvain Castellano is on board as well as new addition—and a second bassist— Damon Smith. Smith, in addition to leading his own formations, has played with Vinny Golia, Joe Morris and Weasel Walter. He recorded an untitled free improvisation release with trumpeter Peter Evans in 2008 (ugEXPLODE).
While the gadgetry of past LOF releases are still close at hand (crank, sirens, rachet, etc.), Domains has a very different sound by comparison. The various contraptions that PEK favors are largely relegated to the background. Instead, the single, title track album is greatly impacted by Lomon, Castellano and Smith hovering in the lower ranges of their instruments. The net effect is that Domains has an ambient drone quality throughout much of its seventy-minute core. On either side there is an opposite high end, either from Lomon’s cello or PEK’s reeds, but the bottom dominates here.
As a guest performer, Smith adds a feature that LOF demonstrated on Solution Concepts (Evil Clown, 2015), where Thomas Heberer played cornet on two tracks. Guest musicians are used in a way that plays to their strengths, tweaking the process just a bit, but without compromising the unique vision of PEK. The music remains challenging and intelligent but perhaps more accessible, and it is the best Leap of Faith album to date.
Bruce Lee Gallanter Review, Downtown Music Gallery
LEAP OF FAITH With PEK / GLYNIS LOMON / DAMON SMITH / SILVAIN CASTELLANO / YURI ZBITNOV – Domains (Evil Clown 9153; USA) Featuring Dave PEK on tenor & bass saxes, clarinets, double-reeds, daxophone & percussion, Glynis Lomon on cello & auqasonic, Damon Smith & Silvain Castellano on contrabasses and Yuri Zbitnov on drums & percussion. Recorded at the Outpost in August of 2017 (last month). I dig the smaller versions of Leap of Faith since we get a chance to concentrate on the core members (PEK, Lomon & Zbitnov), who have been an integral part of this ongoing ensemble for many years. The other great thing here is the addition of bassists, an instrument not always common at LoF gigs. Bassist Castellano has been turning up at more recent gigs and ambitious bassist Damon Smith (Bay area to Texas to Boston) is the newest member to enter the picture. Mr. Smith, currently based in Boston, has been coming to NY recently and has a number of current discs with Joe McPhee, Alvin Fielder, Henry Kaiser and Weasel Walter.
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As with most Leap of Faith discs, things begin quietly with ritualistic solemnity. PEK concentrates on one reeds at a time, playing what sounds like bass sax in the early section with low end drones, bowed and plucked, by both bassists and the cello. All of the members of the quintet get a chance to stretch out at length, taking their time to play longs solos, duos, trio and focused group improvs. Unlike most of the other discs by Leap of Faith, except for PEK, none of the other members switch off on other instruments very much so it easier to hear each individual part. As is often the case with LoF, drummer Yuri Zbitnov is often at the center of the storm navigating the rapids through dense, fast and slow, sparse sections. Parts of this disc are quite restrained and even calm, something we don’t often associate with Leap of Faith, yet the balance feels just right. Damon Smith, one of the finest improvising bassists around, has worked with many greats. Mr. Smith sounds especially inspired here, whipping up a storm and erupting when the energy level hits those soaring highs. If you don’t already own some discs by Leap of Faith, this is a perfect place to begin. – Bruce Lee Gallanter, DMG
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